Amazing!
I have someone who's work connects to mine and yet is different in good ways.
From the Saatchi text:
"Drawings that transcribe existing photographs operate on a tension
between fast (the photograph fixing the image) and slow (the laborious
transcription of something seen), and that contradiction is a way of
probing our experience of the visual image and its claim to truth."*
..."so that his works occupy physical space in a way rarely associated with
the photographic image: these are images that exist in our space, and
must be negotiated physically."*
Not that much time has passed since the days when I felt I had to make things up when writing a bio or artist statement or exhibition text. That dark age has (at least temporarily) passed. And I am happy to read that I am not completely living in my own bubble.
In other words, sometimes I think I am crazy, this makes me feel less so.
:)
> Pics are screenshots from Charlie Smith Gallery website
http://charliesmithlondon.com/
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| Eric Manigaud | Crime Scene (Colombes) | 2007 | Pencil & graphite powder on paper | 156x179cm |
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| Eric Manigaud | Trachoma Pannus Keratitis 1916 | 2015 | Pencil, graphite powder on paper | 150x125cm |
*http://www.saatchigallery.com/artists/eric_manigaud.htm?section_name=paper
